Armed with watercolors and a “passive-aggressive” sense of humor, the illustrator finds the funny, even in ugly times.

Before I knew it, I was doing a lot more political stuff. I think the first job I did for The New Yorker was a page cartoon. It was presidential allergies through the ages. I mean, it didn't mean ...

The 2024 New Yorker Festival took place October 25th through 27th. For the twenty-fifth year, leading artists, actors, ...

The greatest challenge of all: accommodating her nascent bunions.

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A portrait of the defiant Russian opposition leader.

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The multihyphenate discusses his new film, “A Real Pain”; grappling with what it means to be good; and the scripts, songs, ...

The full effects of the President’s economic policies won’t be felt for years. That might be too late for Kamala Harris and other Democrats. The question isn’t whether other creatures share ...

Pedro Samper’s short film follows a woman who operates a cemetery in Colombia for people who die, mostly Venezuelan migrants, without anyone to see their burial.

We ask doctors to cure us of incurable illnesses, and we ask lawyers to take on the doctors who haven’t. We are frightened and we are angry; we look to expert intervention for the fears, and to comic ...