Sean Baker’s Palme d’Or winner hardly turns ‘PrettyWoman’ into ‘Gritty Woman.’ But a stunning performance by Mikey Madison makes it work. “Anora” continues writer-director Sean ...
What we have, in the end, is no less a fairy tale about the Rich One and the Poor One, the payer and the payee, than, say, “PrettyWoman.” But it’s our “PrettyWoman,” for our time ...